“And over the years, I realized, this is why I do what I do,” he continues. I might have been one year old, you know, but it was this fascinating sound. And I remember this incredible fascination I had with the quality of the sound: the timbre, the envelope. Back in those days,” he says, “if you were in a department store, and they had an escalator, they always had a bell. Probably my earliest memory with sound is being in a stroller, when I was a baby, and hearing the ‘bong’ of the escalator. “Well, the short answer is that I guess it depends on the reasons you have for doing it. “So, I’m wondering,” I say, “how, into four decades, you’ve been able to keep moving forward as an artist.” His work has been embraced by a new generation of classical players, including Jason Vieaux and Sharon Isbin, while the video of him performing his own composition “Home” on an 1888 Torres guitar for Guitar Salon International has been viewed over three million times on YouTube. The LAGQ plays York’s ‘Lotus Eaters.’ L to R: York, John Dearman, Scott Tennant, and Bill Kanengiser.Īt 62, York remains as prolific as ever. It has been over 30 years since York, a classical composer and instrumentalist trained in jazz, launched his career with the double whammy of having John Williams, perhaps then the most famous classical guitarist in the world, record his piece “Sunburst,” while his own steel-string performance of “Andecy” was included on the wildly popular 1988 Windham Hill Guitar Sampler.Ĭommissions from Christopher Parkening soon followed, and as York’s solo career continued with performances and recordings of his own, in 1990 he became a member of the fabled Los Angeles Guitar Quartet as well, performing, composing, and arranging on ten of the group’s albums, including the 2005 Grammy Award-winning Guitar Heroes, before departing from the group on amicable terms in 2006. In fact, it’s hard to imagine a more knowledgeable and gifted guide. Filmed with his guitar on the blue sofa in his music room in Redlands, California, York is a warm and soulful teacher.
#Andrew york home pdf series#
The short weekly films in the Andrew’s Den series are produced and edited by York’s wife, Annette, who has also been serving for the last couple of years as his manager. Just as wide an array of subjects that I can offer with my multistylistic background and my abilities of improvisation and composition, too.” “I’ll do composition, ultimately, and fingerboard knowledge, of course. “I’m doing a series on improvisation, on ear-training, on identifying intervals,” York tells me.
#Andrew york home pdf how to#
Since then, in weekly video postings, the virtuoso guitarist and composer has been discussing the technical issues involved in playing his own pieces, “the inner lines, how to be aware of some of the compositional form, and how to bring it out,” as well as more general subjects pertaining to music and guitar. “We have maybe 30 videos edited,” he told me, “and another 20 in the can.”
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When I spoke to Andrew York last spring, right before half of the world’s population began sheltering in place, he was putting the final touches on his new online video subscription service, Andrew’s Den. A CD demonstrating the examples in the book is included.From the January/February 2021 issue of Acoustic Guitar| By Joseph Skibell By practicing the ear training and visualization exercises in this book, you will learn how to turn the music you hear in your "mind's ear" into imaginative, great-sounding jazz solos.
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It's simply a matter of knowing where you're going (targeting chord tones) and how you're going to get there (scales and modes). In this exciting conclusion to the Jazz Guitar for Classical Cats trilogy, Andrew York shows you that improvisation is a skill that can be learned and practiced just like any other. World-famous guitarist and composer Andrew York has created the Classical Cats series to be the classical guitarist's ultimate guide to jazz.įor many musicians, the thought of improvising can be intimidating.